MAHAFFAY and the INDIVIDUALS, CHUCK

The Individuals: Franklin, Coryell, Burdett, and Mahaffay. Courtesy of Tammy Burdett.

Homebase: Seattle, WA
Stats: 1960s
Misc Notes: Bill Franklin (vibes); Larry Coryell (guitar); Tammy Burdett (bass); Chuck Mahaffay (drums);

SEE ALSO: INDIVIDUALS, THE

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TITLE
LABEL
SERIAL
DATE

MISC NOTES:

LOCATION: Seattle, WA
RECORDING PERSONNEL:
RECORDING STUDIO: Joe Boles Custom Recorders
RECORDING ENGINEER: Joe Boles

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

Side Two Track #7 compilation lp Seattle Beat

B-SIDE MATRIX: MLP 1002 Side 2

MISC NOTES:

LOCATION: Seattle, WA
RECORDING PERSONNEL:
RECORDING STUDIO: Joe Boles Custom Recorders
RECORDING ENGINEER: Joe Boles

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

Side One Track #6 compilation lp Seattle Beat

A-SIDE MATRIX: MLP 1002 Side 1

MISC NOTES:

University Of Washington theme song. Recorded in late-1963 to honor the UW Huskies' upcoming Rose Bowl appearance on January 1, 1964.

A-side includes recorded cheering of a football crowd. B-side is the group's Latin jazz version.

Monarch Records pressing  #s: ^50700 - ^50700 - X (Nov. - Dec., 19630

LOCATION: Seattle, WA
RECORDING PERSONNEL:  Chuck Mahaffy (drums); Bill Franklin (vibes); Larry Coryell (guitar)Tamara Burdett (bass).
RECORDING STUDIO: Audio Recording, Inc.
RECORDING ENGINEER: Kearney Barton

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

Known Label Designs: 
1RA.) A - B retail label. Gold background. Purple logo accents. Purple numerals and lettering except gold Jerden. (U of W school colors)

A-SIDE MATRIX: 
1RA.) 45 - JD - 51
A-SIDE STAMPER CODE:
1RA.) 45 - JD - 51 (etched)
A-SIDE COMPOSER: Wilson
A-SIDE PUBLISHER: C. H. Hansen (ASCAP)

B-SIDE MATRIX: 
1RA.) 45 - JD - 52
B-SIDE STAMPER CODE:
1RA.) 45 - JD - 52 (Etched)
B-SIDE COMPOSER: Wilson
B-SIDE PUBLISHER: C. H. Hansen (ASCAP)

MISC NOTES:c

Side A
l.  The Girl From Ipanema (Jobim - deMoraes - Gimbel)
2. Wives And Lovers (David - Bacharach)
3. Bosa Nova (Burdett)
4. The Love Song Of Tom Jones (David - Addison)
5. Exodus (Gold - Boone)
6. I Like To Recognize The Tune (Rogers - Hart)

Side B
l. Mr. Lucky (Mancini - Livingston - Evans)
2. Hot Night In Hong Kong (Foster - Mahaffay
3. Why Don't You Do Right? (McCoy)
4. For Heaven's Sake (Meyer - Edwards - Bretton)
5. Close Your Eyes (Petkere)
6. Late Night Final (Larry Coryell)

LOCATION: Seattle, WA
RECORDING PERSONNEL: Chuck Mahaffay; Larry Coryell; Bill Franklin; Tamara  Burdett
RECORDING STUDIO: Audio Recording, Inc. (July, l964)
RECORDING ENGINEER: Kearney Barton

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

A-SIDE MATRIX: LPM-1
A-SIDE STAMPER CODE: ^6824
A-SIDE COMPOSER:
A-SIDE PUBLISHER:

B-SIDE MATRIX: LPM-2
B-SIDE STAMPER CODE: ^6824-X
B-SIDE COMPOSER:
B-SIDE PUBLISHER:

MISC NOTES:

Side One
l.  Batman (Hefti)
2. ZaP! (Lowell)
3. Soysauce (Lowell)
4. Like Young (Previn - Webster)
5. summertime (Gershwin - Heyword)
6. Watermelon Man (Hancock)

Side Two
1.  Carnival (Bonfo - Jobim)
2.  How Sensitive (Jobim - deMoraes - Gimbel)
3. Sophisticated Lady (Ellington)
4. Quiet Nights (Jobim)

LOCATION: Seattle, WA
RECORDING PERSONNEL:Chuck Mahaffay [drums]; Bob Winn [alto saxaphone, alto flute, flute]; Danny Lowell [piano, organ]; Tamara Burdett [bass, vocal]; Bill Franklin [vibes side one tracks 3 & 4]
RECORDING STUDIO:Audio Recording, Inc.
RECORDING ENGINEER: Kearney Barton  [Side One tracks  2, 3, 4 recorded live March / April, l966 by Jan Kurtis Skugstad]

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES: LP-102

A-SIDE MATRIX: PAN-LPS-102-A
A-SIDE STAMPER CODE: ^9805

B-SIDE MATRIX: PAN-LPS-102-B
B-SIDE STAMPER CODE: ^9805-X

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT:disc
SIZE:7"
SPEED:45 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER:
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER:Traditional
B-SIDE PUBLISHER:

MISC NOTES: This is the 21st recording included on the Kearney Barton: Architect of the Northwest Sound 29-track compilation CD released in early 2020. Originally recorded in 1964.

LOCATION: Seattle
RECORDING PERSONNEL:
RECORDING STUDIO: Audio Recording
RECORDING ENGINEER: Kearney Barton

FORMAT: CD
DISC NOTES:
COMPOSER:
PUBLISHER:

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