DON & the GOODTIMES

Photo circa 1965: L to R: Don McKinney [sax, vocals]; Bob Holden [drums]; Dave Child [bass]; Jim Valley [guitar, vocals]; Don Gallucci [keyboards, vocals]

Homebase: Portland, OR
Stats: 1964-1968
Misc NotEs:
SEE ALSO:
1.) TOUCH [I]

The early fall months of 1964 saw Oregonians becoming acquainted with a rock band known as Don and the Goodtimes. Founded some nine months earlier and originally dubbed simply The Goodtimes, the young group gained initial notoriety as house-band for The Chase, a teenage nightclub in the Portland suburb of Milwaukee.

As engendered by a Seattle band, The Counts, "Turn On Song" (Sea Crest 6003) was a smoothly polished, jazz-oriented number featuring subtle, but strong and flowing organ chording overlaid by distinctive trumpet-sax riffs. For Don and the Goodtimes, as the band came to be called with the record's release, the melody was the same, but there similarities ended. Gone was the smoothness and any inkling of jazz precision. Replacing subtle perfection was coarseness and raw power. As Goodtimes sax man Don McKinney put it, "(Musically) we really didn't know what we were doing, so our version came out pretty funky." Funky? Maybe, but distinctive enough to bypass Northwest regional release and jump straight to New York's Wand record label where not long before another Portland group, The Kingsmen, had made their mark with "Louie, Louie."

Backed by the straight ahead instrumentality of "Make It," "Turn On" wasn't destined to sell a million copies, but it did prove to be the first step in breaking Don and the Goodtimes out of their Portland environs. Exposure southward through their home state soon turned northward to the Puget Sound region of Washington where adoption of a "top hat and tails" image of good living, plus wild showmanship ala Paul Revere and the Raiders soon made Don and the Goodtimes a staple within the thriving Northwest teen-dance scene. Points beyond now beckoned. [NORTHWEST DISC-COVERIES & SOUND REPORT Volume 4 #8 October, 1979.]

Everett Herald, December 31, 1966.

 

 

 

 

 

 

 

 

 

 

 

 

TITLE
LABEL
SERIAL
DATE

MISC NOTES:

DON AND THE GOODTIMES:

The early fall months of 1964 saw Oregonians becoming acquainted with a rock band known as Don and The Goodtimes. Founded some nine months earlier and originally dubbed simply The Goodtimes, the young group gained initial notoriety as house band for The Chase, a teenage nightclub in the Portland suburb of Milwaukee. As engendered by a Seattle band, The Counts, "Turn On Song" (Sea Crest 6003) was a smoothly polished, jazz-oriented number featuring  subtle, but strong and flowing organ chording overlaid by distinctive trumpet-sax riffs  For Don and The Goodtimes, as the band came to be called with the record's release, the melody was the same, but there similarities ended. Gone was the smoothness and any inkling of jazz precision. Replacing subtle perfection was coarseness and raw power. As Goodtimes sax man Don McKinney put it, "(Musically) we really didn't know what we were doing, so our version came out pretty funky." Funky? Maybe, but distinctive enough to bypass Northwest regional release and jump straight to New York's Wand record label where not long before another Portland group, The Kingsmen, had made their mark with a song titled  "Louie, Louie." Backed by the straight-ahead instrumentality of "Make It", "Turn On" wasn't destined to sell a million copies, but it did prove to be the first step in breaking Don and The Goodtimes out of their Portland environs. Exposure southward through their home state soon turned northward to the Puget Sound region of Washington where adoption of a "top hat and tails" image of good living, plus wild showmanship ala Paul Revere and The Raiders soon made Don and The Goodtimes a staple within the thriving Northwest teen dance scene. Points beyond now beckoned. [A variation of the preceding article originally appeared in NORTHWEST DISC-COVERIES & SOUND REPORT  Volume 4 #8 October, 1979.

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE :7"
SPEED: 45 rpm
DISC NOTES:*

Known Label Designs: 
1.) A - B promo label. Black and white background. WAND in white. All other numerals and lettering black. No promotional wording.*
2.) A - B retail label. Black and white background. WAND in gold. All other numerals and lettering red.

A-SIDE MATRIX:
1.)
2.) 50204
A-SIDE STAMPER CODE:
1.)
2.) W - 165 A (etched)
A-SIDE COMPOSER: Olason
A-SIDE PUBLISHER: Bolmin Pub. Co. (BMI)

B-SIDE MATRIX:
1.)
2.) 50205
B-SIDE STAMPER CODE:
1.)
2.) W - 165 B (etched)
B-SIDE COMPOSER: Pete Oulette
B-SIDE PUBLISHER: Burdette Music Co. (BMI)

MISC NOTES: National release of  "Little Sally Tease" (Jerden #762)

"Little Sally Tease" Album Reissues
1) Compilation lp The History Of Northwest Rock Volume One, Side Two Track #1, The Great Northwest Music Co., GNW 4003, 1976

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER: im Valley
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER: Dave Lewis
B-SIDE PUBLISHER:

MISC NOTES: "Big Big Knight" was inspired by a detergent tv ad.

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT disc
SIZE:7"
SPEED:45 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER: Tex Hughes
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER: Jim Valley - Don Gallucci
B-SIDE PUBLISHER:

MISC NOTES:

Don & The Goodtimes organist Don Galucci was an original member of The Kingsmen. When that band's recording of Louie, Louie went national in l963 (Wand #143) the group went "on the road." Galucci, still in high school, could not go with them.

Not long after, in 1964,  Galucci and others formed Don & The Goodtimes.  Their first recording, a rendition of  "Turn On Song " by Seattle's Counts (Sea Crest #6003) bypassed  local release and  went directly onto New York's Wand  records (Wand #165).

The Goodtimes' follow up to "Turn On" was  "There's Something On Your Mind" (Wand #184) which was backed by "Straight Scepter" a reply song to The Kingsmen's "Bent Sceptor" (Wand #150). The Sceptor-themed tunes were likely  fueled by the fact that a sister label to Wand was Sceptor Records.

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT:disc
SIZE:7"
SPEED:45 rpm
DISC NOTES:

Known Label Designs: 
1.) A - B promo label. Black and white background. . WAND in gold. Additional  numerals and lettering including DJ COPY NOT FOR SALE black. NY label address in white.

2.) A - B retail label. Black and white background. Wand in gold. Additional numerals and lettering red except NY label address in white.

A-SIDE MATRIX:
1.) 184 A (50422)
2.) 184 A  (50422)
A-SIDE STAMPER CODE:
1.) 50422 - 1F (stamped)
2.) 50422 - 1F (stamped)
A-SIDE COMPOSER:E. J. McNeeley
A-SIDE PUBLISHER: Mercedes 9bmi)

B-SIDE MATRIX:
1.) 184 B (50345)
2.) 184 B (50345)
B-SIDE STAMPER CODE:
1.) 50345 - 2F (stamped)
2.) 50345 - 2 F (stamped)
B-SIDE COMPOSER: Don Gallucci
B-SIDE PUBLISHER: Burdette Music (BMI)

MISC NOTES: Regional release.

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

"Little Sally Tease" Album Reissues: 
Side One, Track 7 Battle Of The Bands (Panorama LP - 103) Compilation LP. 1966

Side two, track #1 The History Of Northwest Rock Volume 1 (The Great Northwest Music Co. GNW 4003) compilation LP. 1976

Track #12 on The History Of Northwest Rock Vol. 2 Garage Gems (1963 - 1967) compilation CD. 1999

A-SIDE MATRIX: JD - 138
A-SIDE STAMPER CODE: 45 - JD - 138 (etched)
A-SIDE COMPOSER: Jim Valley
A-SIDE PUBLISHER: Burdette Music (BMI)

B-SIDE MATRIX: JD - 139
B-SIDE STAMPER CODE: 45 - JD - 139 (etched)
B-SIDE COMPOSER:Rogers - Hammerstein
B-SIDE PUBLISHER: Williamson Music (ASCAP)

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER: Pomus - Shuman
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER: .F. Sloan - Steve Barri
B-SIDE PUBLISHER:

MISC NOTES:

On lp sleeve artist name is Don And The Goodtimes. On label artist name is Don & The Goodtimes

Issued in mono and stereo formats

1-1. High Heel Sneakers (Higginbotham)
2, Money (B. Gordy - J. Bradford)
3. Turn On Song (Olason)
4. Long Green (Lynn Easton)
5. Bent Sceptor (Don Gallucci)

2-1. The Witch (J. Rosalee)
2. Stagger Lee (Lloyd Price - Harold Logan)
3. There's Something On Your Mind (E.J. McNeeley)
4. Jolly Green Giant (Lynn Easton)
5. Make It (Pete Oulette)
6. Straight Sceptor (Don Gallucci)

LOCATION:Seattle, WA
RECORDING PERSONNEL:Don Gallucci, Dave Childs, Pete Oulette, Jim Valley, Bob Holden, Don McKinney, Charlie Coe, Ron Overman
RECORDING STUDIO: Audio Recording
RECORDING ENGINEER:Kearney Barton

FORMAT:disc
SIZE:12"
SPEED: 33 1/3 rpm
DISC NOTES:

1980. Lp reissued as Goodtime Rock n' Roll. Piccadilly Records #3394

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER:
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER:
B-SIDE PUBLISHER:

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
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FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

Side One Track #3 compilation lp The Hitmakers

COMPOSER: Richard Berry
PUBLISHER:

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

Side Two Track #4 compilation lp The Hitmakers

 

COMPOSER: Dave Lewis
PUBLISHER:

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

Side One Track #4 compilation lp The Hitmakers

COMPOSER: Dangel - Greek
PUBLISHER:

MISC NOTES:

LOCATION: Seattle, WA
RECORDING PERSONNEL:
RECORDING STUDIO: Audio Recording, Inc.
RECORDING ENGINEER: Kearney Barton

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

Known Label Designs:
2PA.) A - B promo label. White  background. Greenish JERDEN JERDEN JERDEN JERDEN. All other  numerals and lettering black. PROMOTIONAL COPY NOT FOR SALE DISTRIBUTED BY ABC-PARAMOUNT RECORDS, INC. MADE IN U.S.A.

2RA.) A - B retail label. Teal blue background. Greenish JERDEN JERDEN JERDEN JERDEN above spindle hole. Other numerals and lettering black. DISTRIBUTED BY ABC-PARAMOUNT RECORDS, INC.  greenish.

"Blue Turns To Grey" Album Reissues: 
Side One, Track #2 Battle Of The Bands (Panorama LP - 103 ) compilation LP. 1966

The History Of Northwest Rock Volume II (The Great Northwest Music Company GNW 4008) compilation LP. 1978

A-SIDE MATRIX:
2PA.) AMP 45 - 228
2RA.) 45 - JD - 228
A-SIDE STAMPER CODE:
2PA.) 45 - JD - 228  (etched)
2RA.) JD - 228 (etched)
A-SIDE COMPOSER :Richard - Jagger
A-SIDE PUBLISHER: Immediate Music (BMI)

B-SIDE MATRIX:
2PA.) AMP 45 - 229
2RA.) 45 - JD - 229
B-SIDE STAMPER CODE:
2PA.) 45 - JD - 229 (etched)
2RA.) JD - 229 (etched)
B-SIDE COMPOSER: James Valley
B-SIDE PUBLISHER: Burdette Music Co. (BMI)

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:*

Known Label Deisgns: 
2PA) A - B promotional disc. White label background. Greenish JERDEN JERDEN JERDEN JERDEN.. Black numerals and lettering including PROMOTIONAL COPY NOT FOR SALE Distributed By ABC-Paramount Records, Inc.

2PB.) A - B promo disc. Teal blue background. Greenish JERDEN JERDEN JERDEN in white swath above spindle hole. Black numerals and lettering including PROMOTIONAL COPY NOT FOR SALE* DISTRIBUTED BY ABC-PARAMOUNT RECORDS, INC. in white

2RA) A - B retail disc. Blue label background. Greenish JERDEN JERDEN JERDEN JERDEN  above spindle hole on white background. Black numerals and lettering Distributed By ABC-Paramount Records, Inc. Made In U.S.A.

"You Were Just A Child" album reissues:
Side Two, Track #1 Battle Of The Bands Volume 2  (Panorama LP  - 108) compilation LP. 1968

Side Two Track #3 The History Of Northwest Rock  (The Great Northwest Music Co. GNW 4003) compilation LP. 1976

A-SIDE MATRIX:
2PA) AMP 45 - 243
2PB.)
2RA) 45 -  JD - 243
A-SIDE STAMPER CODE:
2PA) JD - 243 (etched)
2PB.)
2RA) JD - 243 (etched)
A-SIDE COMPOSER: Ron Overman
A-SIDE PUBLISHER: Burdette Music (BMI)

B-SIDE MATRIX:
2PA) AMP 45 - 251
2PB.)
2RA) 45 - JDE - 251
B-SIDE STAMPER CODE:
2PA) JD - 51 (etched)
2PB.)
2RA) JD - 251 (etched)
B-SIDE COMPOSER: Ron Overman
B-SIDE PUBLISHER: Burdette Music (BMI)

MISC NOTES: Drummer Bob Holden: "Hal Blaine played (drums) on some of our recordings too! He was a monster. On our biggest record, 'I Could Be So Good to You,' he and I both played. We had two drum sets going at the same time, side by side. The producer was Jack Nitzsche, who was a protégé of Phil Spector's, so it was that "wall of sound thing." On that session we had five guitar players, including Charlie [Coe], James Burton, Glen Campbell and Ry Cooder. Larry Knechtel and Don were playing keyboards. We had two keyboard players, five guitar players, two drummers, and then Hal and I overdubbed percussion afterwards".

LOCATION: Los Angeles, CA
RECORDING PERSONNEL:
RECORDING STUDIO: Columbia Studio A,
RECORDING ENGINEER: Jack Nitzsche

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm

Known Label Designs:
1.) A - B promo disc. White label background. Black logo, numerals and lettering including RADIO STATION COPY. Large pink A from top to bottom of label encompassing spindle hole on "I Could Be So Good To You.".
2.) A - B retail disc. Yellow label background. Black logo, numerals and lettering.

A-SIDE MATRIX:
1.)  JZSP 117351\
2.)  ZSP 117351
A-SIDE STAMPER CODE:
1.) 1A   ZSP - 117351
2.) 1B    ZSP 117351
A-SIDE COMPOSER: Nitzche - Dempsey
A-SIDE PUBLISHER: Stoutworthy & Sons (BMI)

B-SIDE MATRIX:
1.) JZSP 117352
2.) ZSP 117352
B-SIDE STAMPER CODE:
1.) 1B     ZSP - 117352 (etched)
2.) 1A    ZSP - 117352 (etched)
B-SIDE COMPOSER: Overman
B-SIDE PUBLISHER: Burdette Music Co. & Shingle Music (BMI

MISC NOTES: "If You Love Her" from the Epic album So Good  (LN  24311)

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

Known Label Designs:
1. ) A - B promo disc. White label background. logo, numerals and lettering including RADIO STATION COPY. Large pink  A encompassing spindle hole from top to bottom of label on "Happy And Me"
2.)

A-SIDE MATRIX:
1.) JZSP 117413
2.) ZSP  117413
A-SIDE STAMPER CODE:
1.) 1E   ZSP - 117413 (etched)
2.) 1B   ZSP - 117413 (etched)
A-SIDE COMPOSER: R. Overman
A-SIDE PUBLISHER: Burdette Mus. Co. & Shingle Music Co. (BMI)

B-SIDE MATRIX:
1.) JZSP 117414
2.)  ZSP 117414
B-SIDE STAMPER CODE:
1.) 1E      ZSP - 117414 (etched)
2.) 1A      ZSP - 117414 (etched)
B-SIDE COMPOSER:R. Haber
B-SIDE PUBLISHER: Sea-Lark Enterprises Int. (BMI)

MISC NOTES: Artist credit on disc = Don And The Goodtimes

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
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FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

A-SIDE MATRIX: ZSP  135073
A-SIDE STAMPER CODE: 1B     ZSP  135073 - 1B (stamped)
A-SIDE COMPOSER: S. Linzer - D. Randell

B-SIDE MATRIX: ZSP 135077
B-SIDE STAMPER CODE: 1B    ZSP 135077 - 1B (stamped)
B-SIDE COMPOSER: S. Linzer - D. Randell

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

Known Label Designs:
1.) A - B promo disc. White label background. Black logo, numerals and lettering. RADIO STATION COPY. Large pink A from top to bottom of label encompassing spindle hole on "May My Heart"

2.) A - B retail disc.Yellow label background. Black logo, numerals and lettering.

A-SIDE MATRIX:
1.) JZSP 135074
2.)  ZSP 135074
A-SIDE STAMPER CODE:
1.) J   ZSP135074 - 2
2.) 1B    ZSP135074 - 1B
A-SIDE COMPOSER:S. Linzer - D. Randell
A-SIDE PUBLISHER:
1.) Saturday Music Inc. (BMI)

B-SIDE MATRIX:
1.)  JZSP135923
2.)ZSP 1356923 (label)
B-SIDE STAMPER CODE:
1.) J   ZSP135923 - 1
2.)1B    ZSP135923 - 1B
B-SIDE COMPOSER:S. Linzer - D. Randell
B-SIDE PUBLISHER:
1.) Screen Gems - Columbia Music, Inc. (BMI)

MISC NOTES:  Artist name on disc = Don And The Goodtimes. Released in mono (LN 26311) and  stereo (BN 26311) formats.

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

 

Side One
I. I Could Be So Good To You (Nitzsche - Dempsey)
2. The Music Box (R. Overman)
3. I Could Never Be (R. Overman)
4. Gimme Some Lovin' (S. Winwood - M. Winwood - S. Davis)
5. If You Love Her, Cherish Her And Such

Side Two
l. With A Girl Like You (R. Presley)
2. My Color Song (R. Overman)
3. And It's So Good (R. Overman)
4. Sweet, Sweet. Mama (J. Nitzsche - R. Titelman)
5. Good Day Sunshine (J. Lennon - P. McCartney)

FORMAT: disc
SIZE:12"
SPEED: 33 1/3 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER:
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER:
B-SIDE PUBLISHER:

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

sIDE 1, tRACK #6 ON COMPILATION ALBUM TOP POPS #234

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER:
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER:
B-SIDE PUBLISHER:

MISC NOTES:

LOCATION: Los Angeles / Seattle, WA
RECORDING PERSONNEL:
RECORDING STUDIO:  / Audio Recording, Inc.
RECORDING ENGINEER: Larry Levine / Kearney Barton

FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
DISC NOTES:

A-SIDE MATRIX:  45 - BUR - 3 - A
A-SIDE STAMPER CODE: BUR-3A  (etched)
A-SIDE PUBLISHER: Screen Gems -  Columbia Music Co. (BMI)

B-SIDE MATRIX: 45 - BUR - 3 - B
B-SIDE STAMPER CODE: BUR-3B (etched)
B-SIDE COMPOSER: Ron Overman
B-SIDE PUBLISHER: Burdette Music Co. (BMI)

MISC NOTES:

Side One
1. High Heel Sneakers (R. Higginbotam)
2. Money (B. Gordy - M. Robinson)
3. Turn On Song (I. Whitcomb)
4. Long Green (L. Easton)
5. Bent Sceptor (D. Galllucci)

Side Two
1. The Witch (Roslie))
2. Stagger Lee (H. Rogan - L. Price)
3. There's Something On Your Mind (C. McNeely)
4. Jolly Green Giant (L. Easton - D. Harris - D. Terry)
5. Make It (S. Tyler)
6. Straight Sceptor (P. Oulette - D. Gallucci)

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

Reissue of 1966 lp Where The Action Is!! (Wand Records #679)

A-SIDE MATRIX: PIC - 3394 - A

B-SIDE MATRIX: PIC - 3394 - B

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

COMPOSER:

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES: Side Two, Track #8

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER: B. Medley
B-SIDE PUBLISHER:

MISC NOTES:

Side One
1. The Witch (G. Roslie)
2. Make It (P. Oulette)
3. Long Green (L. Easton)
4. Bent Sceptor (D. Gallucci)
5. There's Something On Your Mind (E. J. McNeeley)
6. High Heel Sneakers (R. Higgenbotham)
7. Straight Sceptor (D. Gallucci)
8. Big, Big Knight (T. Hughes)

Side Two
l. Little Sally Tease (J. Valley)
2. I'M Real (J. Valley - D. Gallucci)
3. Hey There Mary Mae (P. Sloan - S. Barri0
4. Lip Service (D. Lewis)
5. Tall Cool One (R. Dangel - J. Greek)
6. Blue Turns To Grey (M. Jagger - K. Richard)
7. You Were Just A Child (R. Overman)
8. You Did It Before ( R. Overman)

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
DISC NOTES:

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER:
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER:
B-SIDE PUBLISHER:

MISC NOTES:

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: compact disc
DISC NOTES: JRCD 7071 - Track #25 on The History Of Northwest Rock Vol. 4 Battle Of The Bands CD compilation album

COMPOSER:
PUBLISHER:

MISC NOTES:

Catalogued as Jerden release, but never pressed or issued  on Jerden.   See instead Wand #165

LOCATION:
RECORDING PERSONNEL:
RECORDING STUDIO:
RECORDING ENGINEER:

FORMAT: disc
SIZE:7"
SPEED: 45 rpm
DISC NOTES :

A-SIDE MATRIX:
A-SIDE STAMPER CODE:
A-SIDE COMPOSER: Olason
A-SIDE PUBLISHER:

B-SIDE MATRIX:
B-SIDE STAMPER CODE:
B-SIDE COMPOSER: Pete Oulette
B-SIDE PUBLISHER:

MISC NOTES:

Catalogued on Piccadilly, but never pressed/released on Piccadilly.  See instead, Jerden 808

FORMAT: disc
SIZE:7"
SPEED:45 rpm
DISC NOTES:

 

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