Homebase: Portland, OR
Stats: 1944-1960s...
Misc Notes: The Castle Jazz Band was a "Dixieland" group that was part of the "West Coast revival" of traditional jazz music. Their recordings were popular worldwide for a time, although touring outside their Portland, Oregon base was limited. The Castle Jazz Band was Portland's most popular jazz group, both locally and internationally. In the late 1940s, they were among four groups which were leading the traditional jazz movement on the West coast.
The Castle Jazz Band was an all-white traditional jazz ensemble that formed in 1944, as part of a West-Coast revival of traditional jazz that un-apologetically rebelled against then-current developments in jazz. It was composed of top-notch musicians who considered themselves neo-traditionalists; as such they rejected big band music as over-arranged and Bebop as the domain of "drug-addicted crackpots". The band stuck to what they considered the roots of jazz, consisting of trumpet, clarinet, trombone, tuba, drums, banjo, and piano. There were no saxophones or strings. They aimed to emulate the music of Jelly Roll Morton and King Oliver The band was reviewed as "rousing" and having the ability to impart "fire" to "cornier" numbers. Of importance to the band's success was the "rhythm and enthusiasm" of Ballou, and Kinch's trumpet which could evoke Bix Beiderbecke. Also important was the "hell of a good time" the band was able to communicate. Individual solos were limited in the Castle band, usually to just a bridge. They were considered to be an "superior, authentic, two-beat" band.
The Castle Jazz Band was based out of a roadhouse tavern (5150 SE Glen Echo Ave., Portland) that boasted some real architectural flair. In later years the stone building became a steakhouse, but was unoccupied by the late 1970s, and was reportedly razed sometime around 2006.
The band, a cooperative venture that never paid its members, was led by banjoist Monty Ballou. The first recordings took place in 1944, and their first issue was limited to 200 copies. Wartime and employment difficulties ensured the band would not record again until 1947, but this record was more widely released, and garnered the attention of jazz fans. Shortly after, Ballou changed from guitar to banjo, and this had a significant effect on the band's sound. The most famous lineup was formed in 1948, and played music at the Jantzen Beach Amusement Park in Portland, dressed as various characters. They were regulars at the Rathskeller Cafe in 1948, and then moved to a more upscale location, the Sportsman Club, where they were a draw not only locally, but also from the traditional jazz fanbase in San Francisco. Their heyday was from 1949 to 1951. This time period included being a featured performer at the 1949 Dixieland Jubilee concert, and a series of recordings on the Castle Records label. George Bruns left in 1950 to join the Turk Murphy band, and was replaced by Rod Levitt. Levitt was considered too "modern" for the band and initially found it difficult to fit in. The cooperative band disbanded in 1951, and Ballou formed a new version of the band that performed in a club he bought called the Diamond Horseshoe, in good part due to the success of the Castle Records releases. Ballou sold the club in 1954, and disbanded Castle, in order to join forces with Doc Evans. Ballou periodically reformed the group for concerts and recordings, including sessions in 1968 and 1972.
SEE ALSO:
1.) MERRYMEN AND THE CASTLE JAZZ BAND, The
MISC NOTES: Only 200 copies of this disc were pressed.
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RECORDING ENGINEER: Harry Fosbury
FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: While no artist is listed on the label it is the Castle Jazz Band. Although no release number is listed on label it is catalogue #1.
A-SIDE MATRIX: HF-2 Recorded 3/28/44
A-SIDE COMPOSER: La Rocca & Shields
B-SIDE MATRIX: HF-4 Alt. Recorded 4/16/44
B-SIDE COMPOSER: Edward "Kid" Ory
MISC NOTES: Only 100 copies of this disc were pressed. It is believed that it was released with "Sister Kate" as the B-side because the first pressing's B-side was recorded so poorly.
FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: While no artist is listed on the label it is the Castle Jazz Band. Although no release number is listed on label it is catalogue #1
LOCATION: Portland, OR
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RECORDING ENGINEER: Harry Fosbury
FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Although not listed on label, artist is Castle Jazz Band. Disc is catalog #1
A-SIDE MATRIX: HF-2 Recorded 3/28/44
A-SIDE COMPOSER: La Rocca & Shields
B-SIDE MATRIX: HNF-3 Alt. Recorded 4/16/44
B-SIDE COMPOSER: Pirone
MISC NOTES: Recorded 12/29/47
LOCATION: Portland
RECORDING PERSONNEL: Monte Ballou [banjo]; Don Kinch [trumpet]; Bill Pavia [clarinet]; Geo. Bruns [trombone]; Bob Short [tuba]; Larry Du Fresne [piano]; Axel Tyle [drums];
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
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A-SIDE MATRIX: A-12509 HF-6 (D) 12/29/47
A-SIDE COMPOSER: Kid Ory
B-SIDE MATRIX: A-12508 HF-6 (D) 12/29/47
B-SIDE COMPOSER: K. Mills
MISC NOTES: British reissue of Castle Records #2
LOCATION: Portland, OR.
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SIZE: 10"
SPEED: 78 rpm
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MISC NOTES: "Actually Rec. at Gene Norman and Frank Bull 'Dixieland Jubilee' concert at Shrine Aud., Los Angeles, Oct. 7, 1949."
LOCATION: Los Angeles
RECORDING PERSONNEL: Castle Jazz Band (A-side / Castle Jazz Band + Kid Ory's Creole Band + Charlie LaVere's Chicago Loopers + Pete Daily's Chicagoans
RECORDING STUDIO: Shrine Auditorium
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: "Collector's Classics" label
A-SIDE MATRIX: 80037
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A-SIDE COMPOSER: Ted Snyder - Bert Kalmar - Harry Ruby
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B-SIDE MATRIX: 80028
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B-SIDE COMPOSER: Clarence Williams - A. J. Piron
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FORMAT: disc
SIZE: 10 "
SPEED: 78 rpm
DISC NOTES: Recorded 1/11/49
A-SIDE MATRIX: HF8
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B-SIDE MATRIX: HF9
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MISC NOTES: Recorded August 1949
LOCATION: Portland, OR.
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Disc's serial numbers are actually 8 and 9. Disc is being listed as 8 because listing it as 8-9 causes it to appear out of chronological order in the Castle labelography.
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RECORDING PERSONNEL: George Bruns [trombone]; Don Kinch [trumpet]; Bob Gilbert [clarinet]; Bob Short [tuba]; Larry Du Fresne [piano]; Homer Welch [drums}; Monte Ballou [banjo]
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FORMAT: disc
SIZE:10"
SPEED: 78 rpm
DISC NOTES: Recorded 1/11/49
A-SIDE MATRIX: No Bop Hop Scop Blues - 1/11/49 HF-10
A-SIDE COMPOSER:Castle Jazz Band
B-SIDE MATRIX:Tiger Rang - 1/11/49 HF-11
B-SIDE COMPOSER: La Rocca
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
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A-SIDE MATRIX: HF-12 A12052
A-SIDE COMPOSER: O.D.J.B.
B-SIDE MATRIX: HF-14 A12054
B-SIDE COMPOSER: L. Fletcher - C. Williams
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SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Recorded 2/8/49
A-SIDE MATRIX: HF-13 A12053
A-SIDE COMPOSER: Koenig - Casey - Pinkard
B-SIDE MATRIX: HF-14 A12055
B-SIDE COMPOSER: Bernie - Casey - Pinkard
MISC NOTES: British reissue of Castle #7. Recorded 4.21.49
LOCATION: Portland, OR.
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SIZE: 10"
SPEED: 78 rpm
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A-SIDE MATRIX: HF19 MM 323
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A-SIDE COMPOSER: Morse, Madden
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SIZE: 10 "
SPEED: 78 rpm
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A-SIDE MATRIX: HF-16 A12540
A-SIDE COMPOSER: Morse - Madden
B-SIDE MATRIX: HF-19 12539
B-SIDE COMPOSER: "unknown"
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RECORDING PERSONNEL:George Bruns [trombone]; Don Kinch [trumpet]; Bob Gilbert [clarinet]; Bob Short [tuba]; Larry Du Fresne [piano]; Homer Welch [drums]; Monte Ballou [banjo & vocal]
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Recorded 8/6/49
A-SIDE MATRIX A 12537 "Saints" HF 20 8/6/49 Pt. #1
A-SIDE COMPOSER: Traditional
B-SIDE MATRIX:A 12556 "Saints" HF 20A 8/6/49 Pt. #2
B-SIDE COMPOSER: Traditional
MISC NOTES: Recorded 4/21/49 / 8/22/49. "I've Been Floating" is considered to be the group's most influential song. This original 1950s recording inspired many other dixieland group around the country to adopt it into their sets.
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
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A-SIDE MATRIX: HF-18
A-SIDE COMPOSER: Mills - Rappolo - Schobel - Mares
B-SIDE MATRIX: HF-17-3
B-SIDE COMPOSER: Kalmer - Cooper
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RECORDING PERSONNEL: Ned Dotson [cornet]; Hi Gates [trombone]; Bob Gilbert [clarinet]; Bob Short [tuba]; Fred Crews [piano]; Homer Welch [drums]; Monte Ballou [banjo]
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Recorded 9/14/50
A-SIDE MATRIX: HF-29 9-14-50 (2)
A-SIDE COMPOSER: Robinson
B-SIDE MATRIX: HF-30 9-14-50 (3)
B-SIDE COMPOSER: Holzmann
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FORMAT: disc
SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Recorded 2/28/50 and 9/14/50
A-SIDE MATRIX: HF-27=1
A-SIDE COMPOSER: Oliver - Armstrong
B-SIDE MATRIX: HF-28=3
B-SIDE COMPOSER: Pirone
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SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Recorded 9/14/50
A-SIDE MATRIX: HF-31=1
A-SIDE COMPOSER: Edwards
B-SIDE MATRIX: HF-32=2
B-SIDE COMPOSER: Venables
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SIZE: 10"
SPEED: 78 rpm
DISC NOTES: Recorded 2/28/50
A-SIDE MATRIX: HF-25=1
A-SIDE COMPOSER: C. Williams
B-SIDE MATRIX: HF-26=3
B-SIDE COMPOSER: Montgomery - Perry
MISC NOTES: This is the 1958 reunion of Portland's Castle Jazz Band.
LOCATION: Los Angeles
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RECORDING STUDIO:Good Time Jazz studio
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FORMAT: disc
SIZE: 12"
SPEED: 33 1/3 rpm
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MISC NOTES: Label credits the artist as: Monte Ballou sings with The Castle Band. "I've Been Floating" is considered to be the group's most influential song. Their original 1950s recording inspired many other dixieland group around the country to adopt it into their sets.
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RECORDING PERSONNEL: Monte Ballou (vocals, banjo);
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FORMAT: disc
SIZE: 7"
SPEED: 45 rpm
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A-SIDE MATRIX: LK 45-712
A-SIDE STAMPER CODE: LK - 45 - 712 - D1
A-SIDE COMPOSER: Tommy Lymon
A-SIDE PUBLISHER: Robbins Music Corp. (ASCAP)
B-SIDE MATRIX: LK 45-713
B-SIDE STAMPER CODE: LK - 45 - 713 - D1
B-SIDE COMPOSER: Joe Cooper & Bert Kalmar
B-SIDE PUBLISHER: Mills Music, Inc. (ASCAP)
MISC NOTES: Album credits the band as: Monte Ballou & His New Castle Jazz Band. Also released as a CD in 2002.
1 They're Moving Willie's Grave
2 Little Girl
3 Stumblin'
4 Pretty Baby
5 At the Storybook Ball
6 Old Greenriver
7 The Bush Hog Blues
8 The New Orleans Shuffle
9 Margie
10 Sorry
LOCATION: St. Louis, MO
RECORDING PERSONNEL: Monte Ballou (vocals. banjo); Ernie Carson, Kim Cusack, Dave Loomis, Bob Helm, Shorty Johnson, Don Hooker, & others.
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FORMAT: LP
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MISC NOTES: Artists credit on this unit is: Ernie Carson and The Castle Jazz Band
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RECORDING PERSONNEL: Ernie Carson, Steve Yokum, Tom Fischer, John Otto, Charlie Borneman,Steve Pistorius, Debbie Shreyer, Tom Saunders, Ken Hall
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FORMAT: CD
DISC NOTES: "2 sessions, one from 1983 & the other from 1993."
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